“The persistent efforts to
undermine Justice Thomas and his compelling body of jurisprudence,
and to ignore the spectacular Horatio Alger [read:
rags to riches] story of his life, are part of a deliberate
strategy to silence a conservative voice from someone who might serve
as a transformative role model in the African-American community in
particular, and the American community more broadly. Sad, really,
that the taxpayer-financed institutions of our own government would
join in such efforts.” – John Eastman, founding director of
the Claremont Institute’s Center for Constitutional Jurisprudence
Disgraced accused
serial rapist Bill
Cosby is favorably mentioned. So is philandering adulterer,
golfer Tiger
Woods. One imagines a whole wing of the new Smithsonian African
American museum is dedicated to Barack
Obama: the worst,
most polarizing president ever to hold the office. Why then in
our “post-racial” age, is a black Supreme Court Justice—one of
the two ever to serve on the nation's highest court—treated
like a modern-day Ralph Ellison “Invisible Man”?
Since
the Supreme Court's inception on September 26, 1789, a grand
total of 112 justices have had the distinct honor to serve. (By
comparison, for context, Donald
Trump will become America's 45th
U.S. president on January 20, 2017.) To add further insult to
injury, the only tangential reference to Justice Thomas is a
political smear: a pin-back button reading “I Believe Anita
Hill.” (Now ironically a race and gender anti-discrimination
professor at Brandeis
University, Ms. Hill famously accused the jurist of
unsubstantiated sexual harassment
at his 1991 Senate confirmation hearing.)
So,
between references to Ms. Hill, Mr. Cosby and Mr. Woods, a rogue's
gallery of the morally
dubious are well-represented. (In fact, at the casual glance
this ultramodern structure of sterile glass and oppressively ornate
bronze mesh could easily be mistaken for a three tiered prison, an
inverse step pyramid or a cubist slave ship.) Opened on the
Washington mall on September 24, 2016, this 19th
Smithsonian housing 37,000 objects is a
379,000 square foot eyesore. Within, ample space has been lovingly
dedicated to violent quasi-terrorist
anarchist organizations like the Black
Panthers and Black
Lives Matter. Yet, among 12 exhibitions, a person most central to
both American history—and specifically the
black experience—is wrongly marginalized and negated.
Twitter: @DavidHunterblog
http://patriotpost.us/commentators/446
http://www.americanthinker.com/author/david_l_hunter/
http://canadafreepress.com/members/74987/DavidLHunter/976
http://canadafreepress.com/members/74987/DavidLHunter/976
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